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NLB VINTAGE was already years in motion when the music began in April 2026. Seven released projects later, EVERYTHING makes eight — and brings the sound, the clothing, and the city together on 9.19.26.
FAITH. ART. HUSTLE. NEVER LEFT BEHIND.
NLB VINTAGE did not begin with these records. Glenn Bruno had already spent years building the brand before opening its music chapter with GLASS GOD in April 2026. From there, the catalog grows through AŦLA§ in June, then moves at full speed through five mixtapes. On September 19, EVERYTHING completes the eight-project sequence.
The throughline is the brand itself: faith, art, hustle. The clothing established the world; the music expanded it into another medium. Across both, the motto stays the same: NEVER LEFT BEHIND.
GOLDEN AGE is the single from AŦLA§; it is not a separate album entry.
The music run starts with GLASS GOD. Released in April 2026, it is the first album in this catalog and the first NLB VINTAGE music release — not the beginning of the brand itself.
The official cover places a stained-glass church window inside worn stone walls. "Ten toes better." sits beside the title, while the credit reads "Written & Produced by Glenn Bruno." Faith is not hidden in the margins; it is built into the first image.
After years of building NLB VINTAGE through clothing, GLASS GOD carried its identity into music: stand firm, put the name on the work, and move.
AŦLA§ is the 14-track statement album. Released June 13, it carries the subtitle THE RULES OF LIFE and is written and executive produced by Glenn Bruno. It deepens the musical chapter that began in April while staying rooted in the established NLB VINTAGE identity.
The cover looks like a vintage botanical volume: open garden plates, old-paper texture, flowers, and a black book stamped THE RULES OF LIFE. It gives the album a reference-book presence — something studied, carried, and returned to.
GOLDEN AGE is the single from this album. Released June 6, 2026, it belongs inside the AŦLA§ chapter, not outside it as a separate project.
NOT LOST begins the mixtape run in June. The title is a declaration before the next tape answers it.
The official cover is blacked out around a crystal lightning form and a pair of white wings. It is bright, sharp, and suspended in darkness — an image that carries the title without needing an explanation.
Then comes FOUND AGAIN. Read together, the two titles form the cleanest arc in the catalog: not lost, then found again.
FOUND AGAIN arrives in July and completes the lost-then-found two-tape arc.
Its cover makes the connection visible: an open compass laid over a vintage map. Direction replaces uncertainty. The title lands like a destination.
This is where the summer run locks into motion. From here, the releases keep coming.
AT IT AGAIN lands in July with no complicated setup. The title says the work restarted — or never stopped.
The cover strips everything down to black brush script on white. Against the denser imagery around it in the catalog, the restraint hits hard.
By this point, the pace is part of the statement. Another tape, another mark, no pause.
KING MULTIPLY pushes the July run forward. The name is set across red, black, white, and yellow paint — a loud visual built from motion and collision.
Nothing on the cover is trying to sit still. Brush marks cut through one another while the title stays legible at the center.
It is the fourth mixtape in the summer sequence, and the output keeps multiplying with it.
PAINTERS TAPE closes the five-mixtape run in July. Five tapes across five summer weeks: NOT LOST, FOUND AGAIN, AT IT AGAIN, KING MULTIPLY, then PAINTERS TAPE.
The cover turns a working material into the centerpiece: blue painter's tape over a field of paint splatter. It connects the practical and the creative without dressing either one up.
By the end of July, NLB VINTAGE is seven projects deep. The next release does not just add another title. It completes the count.
EVERYTHING arrives September 19, 2026. It is the eighth music project in the sequence and the 15-song culmination. On the same day, the long-established clothing brand and its new music catalog meet through the eight-piece collection.
The official cover reduces the visual language to black, white, and geometry: a cube-like NLB form, a small mark at its center, and the brand name locked beneath it. After months of color, maps, paint, wings, and stained glass, the final cover feels like a seal.
The release extends beyond streaming. The EVERYTHING collection goes live with the album, and Cleveland, Mississippi gets the pop-up at 6 PM.
These are the songs on EVERYTHING. The list below does not claim a track order.
INTRO: THE DISPERSAL / DNA / THE NEXT ONE / THE INEVITABLE / TEN THOUSAND BETTER / EVERYTHING§ / SEEDS / DUST / SKIT¹: THE LAST ATLAS / SKIT²: CLOUD FORMATION / NLB§ (NO LONGER BURDENED) / OMNIPRESENT / PHYSICS / NO MORE SKY / OUTRO: THE FIRST ONE
NLB VINTAGE was a clothing brand first. The music began in April 2026, years into that story, and became a new way to express the same vision. The EVERYTHING collection does not paste clothing onto a music campaign; it brings the brand's original medium together with its newest one.
That is the NLB VINTAGE foundation: faith, art, and hustle moving through garments, records, cover art, and real rooms. The timeline matters — the brand came first, the music opened a new chapter, and EVERYTHING brings both into the same moment. Bronx-born. Built through repetition. NEVER LEFT BEHIND.
PRE-SAVE EVERYTHING — The album drops September 19, 2026.
SHOP THE 8-PIECE COLLECTION — Wear the catalog. Carry the story.
PULL UP TO THE POP-UP — Cleveland, Mississippi · September 19 · 6 PM
